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| Dream Worlds: Production Design for Animation | 
 enlarge | Author: Hans Bacher
Publisher: Focal Press
Category: Book
List Price: $39.95
Buy New: $33.31
You Save: $6.64 (17%)
Buy New/Used from $30.00
Avg. Customer Rating:  (11 reviews)
Sales Rank: 16704
Languages: English (Original Language), English (Unknown), English (Published)
Media: Hardcover
Number Of Items: 1
Pages: 216
Shipping Weight (lbs): 2.2
Dimensions (in): 11.1 x 8.5 x 0.8
ISBN: 0240520939
Dewey Decimal Number: 006
EAN: 9780240520933
ASIN: 0240520939
Publication Date: December 7, 2007
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Product Description
Hans Bacher is acknowledged as one of the greats of production design for animation and he has been given unparalleled access to Disney's archives to uncover eye-popping examples of both his own work and that of his colleagues. With illustrations from Bambi, Mulan, Beauty and the Beast, Brother Bear and many more - it is a visual feast of never-before-seen artwork, complete with insight from the artist on how and why they were designed as they were.
Key features and benefits:
* Sneak a peak behind the scenes! With 400 never-before-seen illustrations from classic films like Bambi, Beauty and the Beast and Lilo & Stitch
* Learn from one of the true industry greats!Hans Bacher is one of the best known production designers in the industry
* Beautiful and insightful - offers inspiration to designers in animation, film and game
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| Customer Reviews: Read 6 more reviews...
 Preproduction for Animation July 22, 2008
This is a great book for any art student wanting to get into preproduction for film or animation. This is the bar, industry standard. I found it to be very helpful in sharping my own portfolio.
Brilliant! As insightful as a book gets, yet a work of art. June 17, 2008
Hans Bacher has created a wonderful, insightful and beautiful book, which is a work of art in its own right. Yet, it IS an instructional book on the process of Production Design for animation. Whether you are a student of animation, a film aficionado, or a working industry professional, you will find something new to think about and much to appreciate on every page.
The images are clear, and both appropriately chosen to illustrate Mr. Bacher's points and serve as coffee table worthy art. His precise and yet easy way of presenting the subject of Production Design is a fast read, while remaining, educational, interesting, and enjoyable all the way through. Well worth the investment.
 A tremendous resource for animators May 20, 2008
I've been looking for a book like this for years! I've been able to find some great books about the principles of moving an animated character around and the "Art of"-type of books about a particular movie can be very inspiring and educational in their own right, but a book that deals with the thought process that goes into the production design of an animated film is long overdue. I wish it could have delved deeper into the more theoretical "nuts and bolts" of things like setting up camera shots for both 2D and 3D animation--I guess I'm looking for something more technical, where this book still has a "coffee table" feel to some of the individual chapters on particular films--but it's already had a big impact on the way I lay out scenes in my own work. I have a feeling this one is going to be on my drawing table for a long time!
A Treasure Chest! May 5, 2008
Hans Bacher's retrospective of his years at Disney should be in every animation professional's library, actually it should be in every filmmaker's library. This is all the work that goes on behind the scenes to create the beauty we see on the screen. Hans is a genius when is comes to screen composition, color, visual motif.
Amazing contents presented in not so amazing presentation April 19, 2008
1 out of 1 found this review helpful
Everything in it is golden. The information is superb. Definitely a must have for production artist interested in animation field.
I can see this book become the most sought book in animation field.
Filled with nothing but legendary works of arts.
Definitely a must have.
Now i have praised everything that i need to praise about the content, let's deal with the bad.
Everything will be perfect if only the publishers know the difference between a bad paper and a good paper.
For a hard cover book, i do not expect such poor quality of papers to be used.
It is a bit insulting to see maestro works such as Eyvind Earle's and many others to be presented in a low quality paper. The book is as guilty as Leonardo Da Vinci's glorified failure of his "Last Supper", if you know what i mean.
Everything is great but the presentation and the medium used ruin the supposedly a glorious victory.
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